Sunday, June 5, 2022

GO. OUT. SIDE. vol. 51

 My phone starts to light up. Friends are telling me “if she can’t win, none of us can”. Friends are defriending their other computer bound friends for outing themselves as Depp supporters. Or Heard supporters. The emotional energy behind the maneuverings of two people whose failure to deliver on screen as of late has been supplanted by their participation in the courtroom flambĂ© of what one commenter called “the trial of the century” without for a second thinking of how crazy that sounds.

These two supremely failed humans have held the world in thrall to the limits of their imaginations and everyone’s all in, up to and including us right now. Legal experts are weighing in. Politicians, who apparently have solved our shooting problems. Other “entertainers” because: of course, they would.

One sage observer cleverly helped the veer that we’re on here when she said this is more about the fact that now you can be sued for actually NOT naming someone in something you’ve written that they could say was about them or, at the very least, inspired by them. That almost holds water. Especially if you’re prone to being concerned about the feelings of chiropractors fond of animal fucking videos, but that’s not nearly why this happened or what it’s really about.

It’s about the corrosive nature of celebrity and the fact that once we know people are watching we can’t stop wanting them to watch and we’ll do anything to get them to continue to do so. This chimp parade of “celebrities” in swimsuits as the summer months arrive. Celebrities “roasting” each other. Celebrities “slamming” each other. Total nonentities whose lives occupy more space in our own lives than our actual lives.

It’s enough to make you wonder exactly WHO we’re celebrating.


Ugh. So: Depp v. Heard. Cuz We Are So Very Stupid

But your letters are read. And we'll yield to popular demand. But you'll regret this

Saturday, June 4, 2022

We Are The Sprocket Holes vol. 558

 David Foster Wallace once wrote that “Quentin Tarantino is interested in watching someone’s ear getting cut off; David Lynch is interested in the ear.” Cronenberg (whose sensibility, like Lynch’s, is unmistakable enough to function as an adjective) has supplied his new film, “Crimes of the Future,” with a character who has ears growing all over his body and his eyes sewn shut. The warped extremity of Cronenbergian body horror has kept him at a distance from the mainstream, but it’s also earned him a respect and influence that few other cult directors can claim. His work has been the subject of film-studies courses, Ph.D. dissertations, and critical anthologies, driving up the intellectual value of genre cinema without ever gentrifying it. His peerless series of gross-out mindfucks and philosophical schlockfests have shaped art-making in the movies and beyond, from the corporeal jolts of Darren Aronofsky’s “Black Swan” to the experimental pop of Charli XCX, who named a recent album “Crash.” Jordan Peele, an ascendant master of art-house scary movies, told the Wall Street Journal, in 2020, that watching “The Fly” taught him “the power of horror.” The veteran film critic J. Hoberman has called Cronenberg “the most provocative and consistently original North American director of his generation.”


David Cronenberg’s Dreams and Nightmares 

“People will say, ‘Oh, he’s back to body horror,’ ” the director says. “But it’s never changed for me.”

Thursday, June 2, 2022

Booker Man is the Bastard vol. 13

 it wasn't a pipe bomb... it was a warhead


MJF Is Now Pro Wrestling's Hottest Star After Explosive Promo on AEW Dynamite


AHHHHHHHH vol. HAHAHAHAHAHA

The Donald Trump who never relinquished the mic after his famous descent down the elevator and shocked and outraged his way through four transfixing years as president of the United States has become a known commodity, indeed predictable and even monotonous.



It’s a blessing and a curse for formerly cutting-edge musicians to see their once radically countercultural material show up in TV ads for automobiles or other common consumer products. There’s no danger that Trump will ever be similarly laundered into the mainstream, or graduate into a beloved or respected elder statesman as almost all American presidents do at some point.


But he can become boring, which will put at risk one of the pillars of his appeal as the most wildly entertaining, madcap national political figure of our lifetimes.



The New Monotony of Donald Trump

Trump’s act is getting old — and it could hurt him if he runs for president in 2024.