Students Make Viral Video To Protest Michelle Obama’s School Lunch Plan
The Healthy, Hunger-Free Kids Act of 2010 not only restricts the calories in school lunches. It requires students be given more fruits and vegetables and cuts down on sweets and fatty foods in cafeteria menus.
high schoolers limited to 850 calories in a meal at lunch...
read that again:
high schoolers limited to 850 calories in a meal at lunch...
they say the average person should have at least 2000 calories a day, but that's really bullshit... 12-1600 is more than enough to sustain a healthy diet.
sorry... i just remembered what country i'm talking about here. the land of the Cheese and the home of the Cake.
and no... i didn't watch the smartass viral video, because i'm not the least bit fucking interested in what a bunch of shitstick teenagers have to say about anything.
"waahhh our SOCIALIFACIST FIRST LADY took away barely a quarter of our canned lemonade and french fries! we aren't getting nearly enough freeze dried sugar venomed ketchup-caked pseudo-food at this glorified daycare center, and it's inhibiting our ability to pay even less attention to our studies! "
shut the fuck up and read.
i gotta go.
Thursday, September 27, 2012
Monday, September 24, 2012
NERRRRRRRRD!!!!! vol. 39
DREDD 3D review in brief
equal parts 2000 AD strip, the Raid, and Robocop 2, DREDD 3D is an enjoyable, well acted, competently constructed sci-fi action film that understands and adores the source material that made its existence possible. however, the filmmakers are only dipping their toes in the shallow end of the massive pool that is Mega-City 1. the one-day-on-the-job approach of the film's narrative is of course understandable; budget constraints forced the production designers to keep it modest, which has the upside of distancing this film even further from the monumentally execrable 1995 farce, but has the downside of diminishing the vast importance of Mega-City One as a character in of itself.
given the poor box office performance this weekend, a bigger better sequel seems highly unlikely. perhaps Judge Dredd was just not long for the cinema.
whelp, we'll always have those gorgeous 2000 AD collections.
equal parts 2000 AD strip, the Raid, and Robocop 2, DREDD 3D is an enjoyable, well acted, competently constructed sci-fi action film that understands and adores the source material that made its existence possible. however, the filmmakers are only dipping their toes in the shallow end of the massive pool that is Mega-City 1. the one-day-on-the-job approach of the film's narrative is of course understandable; budget constraints forced the production designers to keep it modest, which has the upside of distancing this film even further from the monumentally execrable 1995 farce, but has the downside of diminishing the vast importance of Mega-City One as a character in of itself.
given the poor box office performance this weekend, a bigger better sequel seems highly unlikely. perhaps Judge Dredd was just not long for the cinema.
whelp, we'll always have those gorgeous 2000 AD collections.
Monday, September 17, 2012
It's a Funny World We Live In vol. 15
Thirteen-Year-Old Facing Life Without Parole For Murder of Two-Year-Old Brother
A few months later, in March of 2011, Christian’s 2-year-old brother, David, was pronounced dead at the hospital with a fractured skull, a brain bleed, and a bruised eye. As Susana tells the story, she left Christian, David, and her other children home without adult supervision. When she returned, David was unresponsive, but she waited for 8-1/2 hours before bringing him to the hospital, instead choosing to perform Internet searches on “unconsciousness” and seeking advice via texts to her friends.
Sunday, September 16, 2012
We are the Sprocket Holes vol. 200
very tiny reviews of some shit i watched this week;
BEYOND THE BLACK RAINBOW - 10/10
Hypnagogic cinema from the fizzing core of an acid drenched brain. coils like a python of detached retina around your head, holding you in place with painted static. you know something like that.
THE LOVED ONES - 8/10
like a John Hughes movie dreamed it was a Takashi Miike movie and then woke up to find out it was actually a Bustillo/Maury joint. see you in your nightmares, lover.
A DANGEROUS METHOD - 8/10
think of it as an introverted Cronenberg film. all the perverse fleshy goodness is there if you are daring enough to look for it. plus yeah.. spankings.
BEYOND THE BLACK RAINBOW - 10/10
Hypnagogic cinema from the fizzing core of an acid drenched brain. coils like a python of detached retina around your head, holding you in place with painted static. you know something like that.
THE LOVED ONES - 8/10
like a John Hughes movie dreamed it was a Takashi Miike movie and then woke up to find out it was actually a Bustillo/Maury joint. see you in your nightmares, lover.
A DANGEROUS METHOD - 8/10
think of it as an introverted Cronenberg film. all the perverse fleshy goodness is there if you are daring enough to look for it. plus yeah.. spankings.
Saturday, August 18, 2012
We are the Sprocket Holes. vol. 199
semi-tiny reviews;
KILL LIST - 10/10
a cold, brutal, intensely psychological, confrontationally nihilistic hate-fuck of a film. a slow-burn with an emphasis on the burn. can't recommend this enough.
the less i have to say about a film, the better it is. which brings us toooooooo;
EXPENDABLES 2 - 2/10
as someone who nursed at the muscled celluloid man-tits of 80's Action, these films should be the be-all-end-all of Reagonomics Rage Boners. why do they fall as short as Stallone's real height? i don't think it's because of their age, because it's a movie, and you don't have to be in your 20s to fire guns at broadly drawn evil foreigners.
that's it... ANYONE can do what they're doing here. that's the problem. Stallone, Schwarzenegger, Willis, Van Damme, Lungren, Norris... for kids of the 80s they're the cinematic equivalent of our favorite super-heroes. they were more than just dudes shooting things, and that's all they are in the Expendables. there's NO imagination here. just a heavy reliance on past screen presences to carry the audience through an ultimately meaningless exercise. every 80s film cliche is rolled out not because they're beloved tropes, but because well, they HAVE to be there. the latent homosexuality (men fighting men to avenge the deaths of other men) is on display, so that's cool... and of course there's the eroticized final fight between our main hero and main villain. the heavy handed politics are mournfully absent, as that's the joyful ridiculousness of Stallone's 80s films (the Rambo movies and Cobra), the Death Wish sequels, Cannon Films and the like is equally derived from the macho conservative "re-fight Vietnam and murder hippies" revisionist fan-fiction of the scripts as it is the fetishized man-on-man ultra-violence. there's blood, but it's that CGI video game blood that evaporates when it hits the air.
the plot? Willis wants Stallone and his team of super-dudes and one sexy Chinese Girl to get a package that contains a blueprint (that's also a map i guess?) to a coal mine in Russia that contains weapons grade plutonium. they need this package so it doesn't fall into the wrong hand. well those wrong hands belong to Jean Claude Van Damme and his spooky neck tattooed Russian or Slavic or French semi-cultists. without spoiling too much, they get the package, begin harvesting the mine, and the Expendables have to stop them. along the way Chuck Norris pops up for no reason other than 80S (referring to both the decade and Norris' age), good guys hit every target dead on while the bad guys couldn't hit the broad side of dead elephant, and a pre-gaming audience of fat guys in track pants and Tapout shirts who think they're Brock Lesnar are all like FUCKYEAHBRAHREDBULL.
i also have to mention that in the Stallone-script pantheon of stupidly obvious names, he may have outdid himself with Jean Claude's character. the character's name?
"VILLAIN" (pronounced "VILL-AYE-N")
i guess "A.N. Tagonist" and "Sir Evil McBadguy" were a little too subtle.
Arnold Schwarzenegger and Bruce Willis are barely in it, and they just spit out bad jokes about the time they were in Terminator and Die Hard. and in a sign that tells you just how far Chuck Norris jokes have jumped the shark (i mean for those of you who didn't know that they were bad rip offs from SNL's Bill Brasky sketches), when Walker, Texas Corpse makes his glorified cameo, much of it contains a Chuck Norris joke. for similar internet pandering, see "I'm the Juggernaut, Bitch!" in X-Men 3.
you know something... the Raid came out this week on DVD.
you should just watch the Raid.
KILL LIST - 10/10
a cold, brutal, intensely psychological, confrontationally nihilistic hate-fuck of a film. a slow-burn with an emphasis on the burn. can't recommend this enough.
the less i have to say about a film, the better it is. which brings us toooooooo;
EXPENDABLES 2 - 2/10
as someone who nursed at the muscled celluloid man-tits of 80's Action, these films should be the be-all-end-all of Reagonomics Rage Boners. why do they fall as short as Stallone's real height? i don't think it's because of their age, because it's a movie, and you don't have to be in your 20s to fire guns at broadly drawn evil foreigners.
that's it... ANYONE can do what they're doing here. that's the problem. Stallone, Schwarzenegger, Willis, Van Damme, Lungren, Norris... for kids of the 80s they're the cinematic equivalent of our favorite super-heroes. they were more than just dudes shooting things, and that's all they are in the Expendables. there's NO imagination here. just a heavy reliance on past screen presences to carry the audience through an ultimately meaningless exercise. every 80s film cliche is rolled out not because they're beloved tropes, but because well, they HAVE to be there. the latent homosexuality (men fighting men to avenge the deaths of other men) is on display, so that's cool... and of course there's the eroticized final fight between our main hero and main villain. the heavy handed politics are mournfully absent, as that's the joyful ridiculousness of Stallone's 80s films (the Rambo movies and Cobra), the Death Wish sequels, Cannon Films and the like is equally derived from the macho conservative "re-fight Vietnam and murder hippies" revisionist fan-fiction of the scripts as it is the fetishized man-on-man ultra-violence. there's blood, but it's that CGI video game blood that evaporates when it hits the air.
the plot? Willis wants Stallone and his team of super-dudes and one sexy Chinese Girl to get a package that contains a blueprint (that's also a map i guess?) to a coal mine in Russia that contains weapons grade plutonium. they need this package so it doesn't fall into the wrong hand. well those wrong hands belong to Jean Claude Van Damme and his spooky neck tattooed Russian or Slavic or French semi-cultists. without spoiling too much, they get the package, begin harvesting the mine, and the Expendables have to stop them. along the way Chuck Norris pops up for no reason other than 80S (referring to both the decade and Norris' age), good guys hit every target dead on while the bad guys couldn't hit the broad side of dead elephant, and a pre-gaming audience of fat guys in track pants and Tapout shirts who think they're Brock Lesnar are all like FUCKYEAHBRAHREDBULL.
i also have to mention that in the Stallone-script pantheon of stupidly obvious names, he may have outdid himself with Jean Claude's character. the character's name?
"VILLAIN" (pronounced "VILL-AYE-N")
i guess "A.N. Tagonist" and "Sir Evil McBadguy" were a little too subtle.
Arnold Schwarzenegger and Bruce Willis are barely in it, and they just spit out bad jokes about the time they were in Terminator and Die Hard. and in a sign that tells you just how far Chuck Norris jokes have jumped the shark (i mean for those of you who didn't know that they were bad rip offs from SNL's Bill Brasky sketches), when Walker, Texas Corpse makes his glorified cameo, much of it contains a Chuck Norris joke. for similar internet pandering, see "I'm the Juggernaut, Bitch!" in X-Men 3.
you know something... the Raid came out this week on DVD.
you should just watch the Raid.
Thursday, August 16, 2012
Thursday, August 9, 2012
Casting Couch.
i've been thinking about the long gestating Hellraiser remake. the project seems cursed. don't feel like getting into it here.
i adore the first film and the novella Hellbound Heart on which it is based. strangely enough, i'm not opposed to a remake, cause there's a lot in the book that could be incorporated into a new film. sometimes i do fantasy casting, and i'm bored, so i'm doing that now.
for Rory aka Larry:
Chris O'Dowd
he's best known for Bridesmaids, but his work on the HBO show Girls shows that he can play up the loveable-but-vanilla type with a hint of desperate menace that will be unleashed once his skin is occupied by his sadistically hedonistic brother Frank.
speaking of which,
for brother Frank;
Michael Fassbender
cause he looks like the kind of guy who could get away with making his rape victim fall in love with him. speaking of which.
for Julia;
Natalia Tena
she rocks the shit on Game of Thrones as a Wilding with a heart and a mind, never-mind possessing a unique dark beauty that seems tailor-made for this sort of story.
now the tricky part.
for young Kirsty (i'm keeping it Kirsty as in Larry's daughter because it adds an air of incest to Frank's advances no to mention more trauma when Larry is murdered)
i guess you'd have to go with an unknown, cause i can't think of anyone. she'd have to be pretty young, since the other actors are only in their thirties, but that would add a nice layer of pedophilia to the perversity.
now the fun part; the Cenobites;
i figured a lot of these characters would be stunt people in heavy FX, but for the two speaking cenobites
for the Female Cenobite
Kate Mara
so damn weird. so damn angry. so damn fffffffff. as Hayden on American Horror Story she almost stole the show. really though, i just wanna see her recreate the end of Hellbound Heart's first chapter.
and last but not least;
for Pinhead;
Ray McKinnon
this took me a while, but McKinnon can pull off the playful other-worldliness necessary to play the film's most iconic character. see his recent run as Potter on Sons of Anarchy.
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