Wednesday, November 3, 2021

We Are The Sprocket Holes vol. 504

 The Onania Club has been hovering in limbo for over two years, while Six struggles to find a distributor. This isn't a huge shock, given that it’s about a group of women who masturbate over horrific tragedies like 9/11, but fans are now joining his campaign to get it released worldwide. One fan has tweeted about it every day for seven months; another had the film’s logo tattooed on her arm. Speaking to me about Six’s work more broadly, a fan says that his films “asks you to question the shit you're eating”.


The 'Human Centipede' Director's New Film Is Just as Dark as You'd Expect


Monday, November 1, 2021

GO. OUT. SIDE. vol. 14

 Ruthless, available to stream on all major podcast services, has garnered a cult of self-proclaimed “minions” as the clear right-leaning alternative to Pod Save America and its brethren. But is it any good?

More than 100 episodes into its run, the show has demonstrated some real strengths — two out of its three hosts being public relations professionals, they know the pressure points and hypocrisies of political media all too well, and pounce on them with righteousness — but its flaws make the overall product deeply unsatisfying.

For one thing, its very success in penetrating D.C.’s conservative halls of power reveals the immensely awkward contradiction at its core: For a podcast that stakes its brand on a bad-boy image and willingness to slander sacred cows, it’s tied inextricably to the establishment that former President Donald Trump railed against, and that its hosts almost literally embody.

But worse than that, it commits the cardinal sin of any cultural endeavor that prides itself on puffing out and beating its chest as the standard-bearer for a new, totally-in-your-face generation. It’s often simply, as the kids would say, cringe, its geriatric-millennial hosts combining a too-online, weirdly hostile digital patois with a slew of outdated cultural references — the “Fame” soundtrack, more than one reference to Milli Vanilli — leaving them sounding like the self-proclaimed “cool” teachers trying to have a “rap session” with their students.

Of course, making an unfunny podcast isn’t a sin, and those who eagerly listen to Ruthless each week will be satisfied as long as they deem the aforementioned libs owned. But more than the awkwardness of what the hosts do say, it’s ultimately revealing what they don’t say about the GOP’s uneasy post-Trump status quo.


 Meet the GOP Insiders Rebranding as Bad Boys of Conservative Talk

The "Ruthless" podcast is unintentionally revealing of Republicans’ Trump-era identity crisis.

AHHHHHH vol. HAHAHAHAHAHAHA

 The security record for pro-MAGA social media apps isn’t pretty.

Gettr, the app launched by former Trump aide Jason Miller, got hacked on the day of its Fourth of July rollout. A hacker ,who goes by the handle JubaBaghdad, crashed the app’s debut by taking over verified accounts for MAGA celebrities Steve Bannon, Mike Pompeo, and Marjorie Taylor Greene. He then used them to push pro-Palestinian political messages.

Just hours later, someone scraped personal data, including email addresses, from 90,000 Gettr users and dumped them on the internet. For Gettr, the problem was with the API, researchers found.

Parler, the social media app founded with money from the wealthy Trump-supporting donors of the Mercer family, suffered similar problems shortly after the Jan. 6 insurrection when activists were able to scrape millions of posts and user content left easily accessible to the open web. Parler’s decision not to scrub revealing location data from the videos uploaded by its users allowed anyone to associate Parler user names with their potential homes and workplaces.

And in February, hackers dumped gigabytes of private messages and user data from Gab, a Texas-based far-right network home to a disturbing amount of antisemites and neo-Nazis.

The alt social media app ecosystem suffers from similar problems when it comes to trying to protect users from dangerous content like ISIS beheading propaganda or, in some cases, even child pornography.

Adam Hadley, the director of Tech Against Terrorism, a London-based nonprofit which works with smaller social media platforms to help them find and remove terrorist content, says moderation against extremist content is especially difficult for smaller platforms, which can struggle to find the resources to deal with the problem.

“You can be swarmed very easily by terrorist use,” Hadley says. “There's no easy solution. You need people to be making difficult decisions about content and before you even do that you need to know what your policy is and you need a press and PR capability to deal with media responses.”

Hadley’s nonprofit runs a free terrorist content analytics platform, which offers smaller social media apps free intelligence about when analysts spot extremist content on platforms, but even those kinds of resources aren’t always welcome.

“The problem with the alt tech platforms is that they don't want anything to do with us. When we approach them and say ‘Do you need some help?’ they almost always say ‘No.’” Hadley told The Daily Beast.


Why MAGA Social Media Is a Hacker’s Wet Dream

Friday, October 29, 2021

We Are The Sprocket Holes vol. 501

 stand-out viewing for the stopped up hottie sauce enema that was October. 

(September)


99.9 (1997, dir. Agusti Villaronga)

drags just a hair in the middle, but Villaronga (In a Glass Gage) has such an intriguing mastery of how to create a curious synergy of mournful aesthetic and tense atmosphere. 


BAZAAR BIZARRE (2004, dir. Benjamin Meade)

a cranium juicing mash of supermarket paperback histrionics and mondo production lecherousness. 



mublegore aint dead



ffo Greasy Stranger, Bag Boy Lover Boy, the Taint. 



and that's one to grow on! (ugh)



felt like appropriate viewing after the whole Gabbie Petito Brain Laundry thing. 



a more than solid entry into the terror-in-the-aisles pantheon (Demons, Anguish), but i fear that the garish neon color schemes are becoming just a bit worn out. i mean... Drive was ten years ago aighty, y'know? i love to look at it, but maybe we can try something else, eh? it's becoming the Old School Death Metal of cinematography. 


a direct-to-video punksploitation giallo soap opera that overcomes its monetary limitations with a relentlessly creative aim to purge the violent seeds of its social isolation. 



approaches its subject matter with a charming matter-of-factness that sharply course corrects before devolving into brimstone judgement porn. 


a Donald Kauffman Summit.