stand-out viewing for the dysentery pus show that was May.
(April)
BAXTER (1989, dir. Jerome Bolvin)
aka The Killer Inside Marley and Me.
BLOOD (2000, dir. Charly Cantor)
what was released with the intention of piggy-backing off the success of the comparatively placid Emanuelle instead delivers something more along the lines of Salo. i'm not a movie poster collector, but i'd love to snage the above.
GUNDALA (2019, dir. Joko Anwar)
haven't so thoroughly enjoyed a "big" superhero franchise since Nolan's Bat-Cycle, but even those films too often defer to the sort of normie hand-holding "realism", sacrificing all the rudderless imagination running through the comic book sources. not so much here; the weightier grit is in perfect balance with the magical speculation.
HUNTED (2020, dir. Vincent Parannaud)
aka Grandma's House on the Edge of the Park.
IRMA VEP (1996, dir. Oliver Assayas)
one of the best movies about movies ever.
SAINT MAUD (2019, dr. Rose Glass)
somewhere between a Paul Schrader forced perspective character piece and caustic nunsploitation hysterics.
WALKING THE EDGE (1985, dir. Norbert Meisel)
LA gets the 42nd Street treatment.