Monday, November 29, 2021

We are the Sprocket Holes vol. 511

 stand-out viewing for the projectile cold sore that was November.

(October)


SMOOTH TALK(1985, dir. Joyce Copra)

kind of a reverse Lolita. 


SKULL: THE MASK (2020, dir. Armando Fonesca, Kapel Furman)

if Lex Ortega made a Lucha Underground movie. 


SEXTOOL (1975, dir. Fred Halsted)

go there. 


PIG (2021, dir. Michael Sarnoski)

the fact that this will infuriate John Wick fans makes them truffles taste all the more sweeter. 


resplendent outlaw action joy. 



a cross between Mystics in Bali and Coffin Joe? sure ok. 


in the immortal words of David Foster Wallace; "it's so much easier having dogs."

IT'S NOTHING MAMA, JUST A GAME (1974, dir. Jose Maria Forque)

this isn't even a horror movie; rich boys just be like that. 


HUMAN ANIMALS (1983, dir. Eligo Herraro)

aka Go Dog Go.


DARD DIVORCE (2007, dir. Olaf Ittenbach)

works really well at not working at all. 

Thursday, November 25, 2021

Negation Aspiration vol. (investigate) 311

 “We just approved the test presses. The record should be out in August.” I’m paraphrasing a bit, but the timeframe is correct. The band I spoke to about this had their masters submitted to the press plant in November. Of last fucking year. That’s a turnaround of 21 months. I’m personally working on a few vinyl releases and every label I’ve spoken to, regardless of country of origin, has said the same thing: “Cool, see you in a few years.”

Plenty has been said over the last decade about how the independent music scene’s long-standing love of vinyl had kept the format alive when the mainstream all but abandoned it, only to have that get thrown back in their faces once the major labels caught wind of it thanks to the proliferation of social media and wieners in Red Hook with ironic mustaches and organic window herb gardens — and probably a fucking unicycle — splattering themselves with the records they more than likely only took out as show pieces during wine tastings. The majors then slowly returned, like an abusive boyfriend trying to weasel his way back into to your life once you’ve finally gotten to a good place, so that he can fuck it all up again.

And the breaking point was the bricks used to pave the road to hell: Record Store Day.

Low Fidelity: Adele, Record Store Day and Why You’ll Take CDs and Like It!


Tuesday, November 23, 2021

#gorenoise vol. 126

 On May 3, 2018, Kimberly Sampson, a 29-year-old mother who worked as a barber, went into labor. It began normally but quickly slowed down, causing her unborn child to become lodged in her pelvis, leading to an emergency Caesarean. She was injured during the operation and given a blood transfusion, according to the BBC report. Despite being in immense pain with difficulty walking, she and her newborn son were discharged. They went to her mother’s home, where Kimberly resided.

A few days later, her mother, Yvette Sampson, says her daughter was in unbearable pain and rushed by ambulance to the hospital, where she was diagnosed inaccurately with bacterial sepsis. When antibiotics failed to treat the condition, she went back under the knife as doctors performed exploratory surgery to identify the infection. In the meantime, records show she was treated with the common herpes infection drug Aciclovir.

A few days later, doctors at Kings College Hospital in London diagnosed the problem: catastrophic herpes infection. She died on May 22, 2018, while in intensive care.


GO. OUT. SIDE. vol. 20

 

He Made a Horror Movie About Pizzagate, then the Death Threats Started

‘The Pizzagate Massacre’ is the best movie about the Trump era, and now everyone can finally watch it.

Monday, November 22, 2021

#truecrimepowerelectronics vol. 26

 Of the Cobain journals (which were published by Riverhead Books in 2002), the documents note, “Undated journals written by Cobain sketch the album cover in a sexual manner, with semen all over it. In several instances, the journals describe Cobain’s twisted vision for the Nevermind album cover, along with his emotional struggles: ‘I like to make incisions into the belly of infants then f*ck the incision until the child dies.'”

As for the Hefner part, the documents repeat the claim that photographer Kirk Weddle intended to “trigger a visceral sexual response from the viewer” by activating “Spencer’s ‘gag reflex’ before throwing him underwater in poses highlighting and emphasizing Spencer’s exposed genitals.” Without explanation, the documents then continue, “Weddle soon after produced photographs of Spencer dressed up and depicted as Hugh Hefner.”


NERRRRRRRRRRD! vol. 158

 Doctor Octopus made his debut in Sam Raimi’s Spider-Man 2, and there was a gag with his name when J. Jonah Jameson (J.K. Simmons) was trying to find a villain name for him, which included a reference to Doctor Strange. Unlike the scene in the Spider-Man: No Way Home trailer, the one in Spider-Man 2 came from an antagonistic character like Jameson and was played in a more serious way that fitted the tone of the movie, with Jameson even saying “what are the odds” that a guy named Otto Octavius would end up with eight limbs. The scene in No Way Home, on the other hand, comes from the hero of the story (and his friends) and feels more mean-spirited as a result. It also doesn’t really fit the MCU as “Doctor Otto Octavius” surely isn’t a funnier or weirder name than, for example, Happy Hogan or Pepper Potts.

Although the MCU has stood out for its sense of humor, it doesn’t always come off as the writers would wish, and the “Doctor Otto Octavius” scene in the Spider-Man: No Way Home trailer is a good example. Sam Raimi knew how to add humor in ways that fitted the scene and the character delivering the jokes, which is something the MCU doesn’t always get right, and this specific scene only ends up making Peter Parker, the supposed good guy, look more like mean guy.


No Way Home's Doc Ock Joke Shows The Annoying Difference Between MCU & Raimi

Saturday, November 20, 2021

We Are the Sprocket Holes vol. 510

 From Marvel to Star Wars, shared-story universes are of course very much in vogue. But until recently, the Ghostbusters "universe" was compromised of two fun comedies in the 80s with a lewd ensemble of SNL alumnus; arguably, it doesn't seem the most natural material for some grand interconnected saga. Equally, some have faith it could work. "Part of me thinks, why has it taken so long?" says editor of sci-fi magazine SFX and Ghostbusters fan Darren Scott. "There's a new series based on the Child's Play films called Chucky, which just hits the mark. It's fantastically queer, it's horrific. It's so cleverly done – you don't get the sense they're being cynical about it, that they're out to get a quick buck. They're actually pouring love into it. And if Jason Reitman is going to pour love into Ghostbusters, and do huge spin-offs and TV shows, then brilliant."

But aside from assessing the quality of the franchise titles at hand, it feels as though there is a greater, more existential point for Hollywood cinema to contend with. The desire to appeal to nostalgic instincts is part of a bigger issue, that studios are seemingly becoming less and less likely to take a risk on films without existing brand recognition; indeed, there is a real irony in the fact that much of this nostalgia-driven content is capitalising on once-original titles that simply wouldn't be made today. This summer's Free Guy (2021), acquired by Disney with their controversial takeover of Fox, was the studio's first live-action release not based on an existing intellectual property in three years. Asked whether he thought a studio would bank on an original idea like Free Guy again – which, relatedly, has been lined up for a sequel – director Shawn Levy said: "I'm going through a mental Rolodex of the studios – Sony, Warners, Paramount, Disney, Lionsgate – the truth is those studios are predominantly if not exclusively betting the big money on franchise titles [...] Someone referred to Free Guy as the last chopper out of Saigon, and I do think about that. I hope it's not the case." And even then, Free Guy itself is not free of nostalgic impulses: it's notionally based on video games like Grand Theft Auto, and its third act chucks out  $40-billion worth of recognisable props from the Disney stable, a benefit of said takeover, from lightsabers to Captain America's shield – recognition, again, seemingly being offered up as a great cinematic pleasure in itself.

It is this debatable idea – that the overwhelming drive of mainstream Hollywood cinema is now to offer the dopamine hit of familiarity – that leaves some critics so deflated."It's hard not to talk about this in apocalyptic, end of history type language," Bramesco says. "Not to get existential, but this makes me feel alienated from people, just realising that my value systems as art goes are not only removed from other people's, but almost diametrically opposed." For while some might view the current nostalgia-fuelled entertainment model as apocalyptic, others welcome it with open arms."I don't care how many times they remake Batman, I will go and see every version of it," Scott says. "That's a good thing about the sort of market that SFX speaks to – we love a thing, and we'll go and see it. If we don't like the new version, that's fine. We'll go to the next one, too. We never let go of our childhood loves."

Ghostbusters Afterlife: Is nostalgia killing cinema?

Thursday, November 18, 2021

#gorenoise vol. 125

 Police have also divulged new information about hundreds of other pieces of evidence recovered in the case, providing disturbing new details about Rainwater’s final moments that come as a gut-punch to many who feared the worst from the very beginning. The case had already taken a very dark turn in September, when details trickled out about Rainwater being held captive and semi-naked in a cage on Phelps’ property. The Dallas County Sheriff’s Office has now revealed that the cage was the least of Rainwater’s torment: She was strangled by the two men before being gutted and dismembered, according to the officials.

A search warrant executed at Phelps’ home uncovered photos of “a partially clothed female in a cage who we recognized as Cassidy,” police said in a statement Wednesday. “The other photos depicted Cassidy’s body bound to a gantry crane, commonly used for deer processing, and her evisceration and dismemberment.”


Missing Missouri Woman Was Gutted and Stashed in Freezer, Police Reveal

Tuesday, November 16, 2021

Negation Aspiration vol. 310

 In a world where undead wizards, battle rappers and luchador-dinosaur hybrids meet in overdramatic battles, you wouldn’t be blamed for pigeonholing professional wrestling as a childish soap opera for the ridiculous. But in a society grappling with internet addictions, conspiracy theories and an abundance of negativity, professional wrestling is currently the platform of one of the most nuanced, long-term character arcs in years. And at its core is an anxious millennial cowboy struggling to find his place in a world stacked against him.


When The World Needed a Hero, It Got an Anxious Millennial Cowboy

Can a pro-wrestler encompass the millennial experience?

Awwwwww Yeah vol. 240

 

WHO WILL BE CROWNED MISS HOLOCAUST SURVIVOR 2021?

Saturday, November 13, 2021

Thursday, November 11, 2021

GO. OUT. SIDE. vol. 18

Prefacing the news with a disclaimer that it’s not a joke was necessary—faking his own death for laughs feels like the kind of thing Kyanka would have done. It typifies the gross and shocking humor associated with Something Awful.

Kyanka was a comedian and programmer who started the website Somethingawful.com in 1999. It began as a simple web forum and grew into a cultural phenomenon. To be on the internet in the 2000s was to swim in a sea of Something Awful’s influence. The image macro meme format, the creepy pasta story Slender Man, and Twitter’s dril all got their start on Something Awful. A lot of the basic grammar people use to communicate online originated in its forum posts.

But its influence was also terrible. Its members pioneered targeted harassment campaigns and formed communities that became too toxic even for Something Awful spun off into their own websites. 4chan began as an alternative image board after Lowtax banned hentai from the forum in 2003. Doxing forum Kiwi Farms got its start after leaving the Something Awful forums. If a lot of the basic language of the U.S. internet was influenced by the forums, so was the kind of affectless irony that starts with people pretending to be Nazis as a joke and ending up as actual Nazis.

Kyanka’s legacy is woven into the soul of the internet, for better and for worse. He hated the internet, the internet hated him back, and it's not clear anyone has learned anything from what he helped unleash.

“I'm obviously not a visionary, but I predicted that the internet would be shitty back in 1999,” Kyanka told Motherboard in 2017. “Everybody was talking about how the internet was going to revolutionize everything and everything was going to be great, but nobody ever talked about how shitty the internet could also be.”


Richard ‘Lowtax’ Kyanka, Founder of Something Awful, Is Dead at 45

Negation Aspiration vol. 309

That leaves a mark on you. It either makes you soft or it makes you into a maniac. Well, guess what it made me? 



Eddie Kingston Got No Business F***ing Being Here

Tuesday, November 9, 2021

We Are The Sprocket Holes vol. 508

 Callosum Studios owner and special makeup effects artist Jason exclusively told Metro.co.uk: ‘He’s a phenomenal collaborator, he’s become a really good friend, and we’re actually – you’re the first person that we’re publicly telling about. We’re starting a film at the end of the month.’

Baker – who released horror short Welcome To Red Room last week – grew close with Bray (real name Windham Rotunda) through his work with WWE, which started with him designing Triple H’s crown for WrestleMania 30 and eventually led him to the Firefly Fun House.

"the best way to describe it is Ichi the Killer meets Xanadu."


Bray Wyatt working on Hollywood movie as star’s first post-WWE project is confirmed

NERRRRRRRD! vol. 157


 

A Rare Copy of Jodorowsky's Dune Book Is Up for Auction

GO. OUT. SIDE. vol. 16

 Lovato fans who sign up for a Gaia membership will find a massive video library filled with some truly bizarre ideas about “the nature of reality,” with shows with names like Third Eye Spies: A True History of CIA Psychic Spying and 4th Dimensional Reptilian Influence. Gaia also hosts a series from British conspiracy theorist David Icke, who has promoted the idea that the world is run by reptilian lizard-people.


Demi Lovato Promotes Lizard-War Videos at ‘Hub for QAnon’

Monday, November 8, 2021

NERRRRRRRRRRRD! vol. 156

 "a boa of rancid rabbits"


Alan Moore: Death is a perspective illusion of the third dimension 

U.S.A.! U.S.A.! vol. 258

 

The Aristocrats Funding the Critical Race Theory ‘Backlash’

The movement may present itself with a local face, but many of its top advocacy groups are propped up by wealthy, well-connected backers—right down to the Koch connections.

Wednesday, November 3, 2021

We are the Sprocket Holes vol. 505

 

Speak Evil: Celebrating 30 Years of THE PEOPLE UNDER THE STAIRS

U.S.A.! U.S.A.! vol. 257

 Being upset about “Everything That’s Going On" or other exceedingly vague grievances is a variant of its newer cousin “Let’s Go Brandon,” and is the terminology currently being widely used by conservatives to signal that they are conservatives and that they are very mad about what’s happening in this country. Saying you're worried about “everything that’s going on,” is like offering up a line on a Mad Libs sheet, a cipher standing in for whatever you want to say but don’t want to say. Everything That’s Going On might mean reckless government spending, vaccine mandates, government takeover, a rigged election, “critical race theory,” “socialism,” trans people being allowed to use the bathroom of the gender they identify with, having to wear a mask, or generally being asked to acknowledge that slavery happened, was bad, and has continued to shape the power dynamics of this country. Everything That's Going On is a way to center yourself and your family as being directly aggrieved by what are either minor inconveniences, policies designed to make others' lives more tolerable, or completely imaginary things altogether.

By saying you are worried about Everything That’s Going On, you are allowing the receiver of that information to fill in the blanks with whatever they want. --- on social media, and wherever else it’s used, people are rarely asked to elaborate about what, specifically, they are talking about. One person might say they are mad about “everything that’s going on” (having to get a vaccine to keep their job) and the person they’re saying it to might interpret that as “everything that’s going on” (white people are being replaced by immigrants in a white genocide). 

Use of the phrase is a two-way relationship involving a tacit agreement: The person using it avoids specificity, and their interlocutor politely doesn’t interrogate what they actually mean. Thus people with relatively minor grievances about, say, marginal tax rates are able to align with people who stormed the Capitol because they thought Biden stole the election. 

Everything That’s Going On is also an excuse to act irrationally, because while the actual complaints are kept vague, what is not is the premise that your very way of life is being attacked by autocratic liberals.

The most popular version of this—and the current going theory about why Democrats got their asses handed to them in the Virginia governor's race—is the idea that something is going on in our schools and is motivating Republicans to vote on the new issue of education. The "something" in this case is "critical race theory," "socialism," mask mandates, and other poorly defined terms that generally relate to quite literally any attempt to teach children accurate things about America's history of slavery and racism.

Once you start listening for Everything That’s Going On, you will hear it and variations of it everywhere. There’s the guy in Virginia who said “critical race theory” is the most important issue in the governor’s race there but, when asked, had no idea what it is. There are the people who say “Let’s Go Brandon” instead of “Fuck Joe Biden” to signal that they saw a viral YouTube video and hate libs. There’s the conservative TikTok star coffee company CEO named Jake Dials who speaks in riddles using a Bane voice and is Just Asking Questions about how “something isn’t right” and people should open their eyes to a new, conspiracy-laden reality. 

Here is what is happening: The same things that have been unrelentingly happening for decades with little action from a political system designed to entrench current power structures. Climate change and environmental destruction, record levels of income inequality and a global pandemic that has exacerbated it, corporate agglomeration and political capture, a broken healthcare system, the militarization of the police, systemic racism. None of this was new under Trump, and not much of it has changed under Biden.  

And yet, to many people, Everything That's Going On is that their kid will be taught they should be nice to Black people, asked to read Toni Morrison, or asked to take a vaccine that has widely been shown to be safe to confer protection against a deadly pandemic for themselves and others. They are right that things are happening; they just seem somehow to have missed what they are.


‘Everything That’s Going On’ Explains Everything That’s Going On

"Let’s go Brandon" is the right-wing euphemism getting all the attention, but blaming 'everything that's going on' is the GOP's new catch-all grievance.