"When I first started writing, I tried to follow more of those
traditions, which generally meant trying to write like really awful
versions of various popular literary fiction writers. And it took me a
long while — namely, many years of trying to write a book an agent could
sell to a major — but after a while I could tell not only was I not at
all good at things like intentionally developing characters or
constructing a linear, narrative plot, I also was not actually doing
what came naturally to me, what really came out when I was angry,
impassioned. So to make a long story short, after never writing that
agent-sellable book, I kind of snapped, and started pouring out all the
sound and mania that had welled up in me in trying to please a master I
learned I didn’t even really respect. I think in order to really do
something right, for me I have to be totally mystified by it to some
extent, and most linear fiction is more interested in explaining or
telling a story, rather than creating labyrinth, logical fallacy,
mirage. I’ve always tended in art most towards not things that
quantified the world or arranged it, or even provided a reflection, but
ones that made it deeper, more terrifying or awe-inspiring, like where
the fuck did this come from, and how do I touch it even more?"
- Blake Butler speaking with Decoder Magazine
Wednesday, March 18, 2015
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