Tuesday, December 3, 2019

We Are The Sprocket Holes vol. 351: Top 10 Dust Conductors for the 2nd 1/2 of 2019

1st 1/2

pictured: social media discourse between "cinephiles"

if this year's pickins feel grim and miserable... even for me... then i don't know what to say that wasn't already said better in THE ROOM just before Johnny fucked his girlfriend's panties and turned his brains into a Denny's omelet.


ANTRUM (David Amito, Michael Laicini)

yeah yeah i know i know i hear ya i hear ya "found footage? harumph good sir" but fuck it, jack; this one's got a junkyard Baphomet child oven.


BLISS (Joe Begos)

urban grime-goth in a doom-metallic splatter of malarial neon slime.


CARCINOMA (Marian Dora)

funereal art-gore from the mind's tactile scum chamber.



the kaleidoscopic punishment of Noe's heart-of-carnage universe blisses out in a lysergic revelry. 


DECODER (Muscha)

cut-up no-wave sub-opera lovingly restored by the deviance curators at Vinegar Syndrome.


KNIFE + HEART (Yann Gonzalez)

Bava cruises the bathhouse in this unapologetically homocidal delight from the bowels of France.


PASOLINI (Abel Ferrara)

comes out the same year that 9 Lives of a Wet Pussy finally gets its due. fitting? you betcha.


PORTRAITS OF ANDREA PALMER (J. Lyons, C. Huston)

updates the bleak eroticism of the Golden Age's more downbeat entries for the Cam-Girl era.


A RECORD OF SWEET MURDER (Kōji Shiraishi)

the director of Grotesque getting downright cosmic with them guts.


THE TOUGH ONES (Umberto Lenzi) 

thoroughly vicious crime epic as only Lenzi could deliver, impeccably restored by Grindhouse Releasing.

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