Neighbors said the woman was returning home to her fifth-floor apartment in Prospect Heights after a grocery store trip Saturday.
When the elevator arrived, the man -- dressed as an exterminator -- sprayed her with an unidentified liquid, set her afire and then fled,
http://www.loureedmetallica.com/listen-to-lulu.php
1. BRANDENBURG GATE - "I would cut my legs and tits off / if i thought of Boris Karloff".... alright. sounds like a Jock Jam version of Angels of Light. Hetfield is going "Small town GUURRRRRRRRLah" in between Reed being drunk. that's the whole song, basically. like for 4 minutes, Reed and Hetfield-ah going SMALL TOWN GUUURRRRRL.
2. THE VIEW - sounds like a LOAD... that's it.. a load. but seriously, it's like a sub-mediocre slam poem with a warm-over Reload riff (JUST ONE RIFF...FOR 5 MINUTES... oh wait here comes a slightly different one). Hetfield is the root or something. Reed just went "WORSHIP! WORSHIP!". Hetfield is the table. i'm not kidding. he said I AM THE TABLE. more than once. I AM THE CHESS BOARD. I AM THE GAME OF TWISTER. I AM THE CANDYMAN VHS YOU FOUND AT GOODWILL.
3. PUMPING BLOOD - oh good, violins. after saying "Pumping Blood" like 12 times, Reed asks... "Pumping Blood?" as if to say "are we really doing this?". the gyst of this song is blood is pumping. holy shit it just more spoken-wordy. if you made a drinking game out of this song... you'd be an asshole who makes drinking games out of shitty records. Reed just said "Dog Prostitute". now that i can get behind... in every sense of the phrase. AHHH. oh dear this one is like 8 minutes. remember when Metallica wrote songs? remember when Lou Reed wrote simple, powerful songs about interesting shit? they snuck in a thrash part, but it makes no sense... but this whole thing makes no sense.i'm tuning out and imagining a Dog Prostitute.
4. MISTRESS DREAD - is that Judge Dredd's secret lover? nah.. she spells it differently. more half-baked speed metal with goth-kids-from-South-Park poetry. i actually wish there was more weird lyrics like "Dog Prostitute" and that "Tits and Karloff" thing. it's better than this "blood, girl" bullshit. jesus CHRIST this shit has been going on for 5 minutes. and there is still like 3 minutes to go. these are some of the most annoyingly hacky lyrics ever.
5. ICED HONEY - i actually really like that title for some reason. sounds like Charles Nelson Riley singing for Seven Mary Three. actually that would rule, so no this doesn't sound like that. so we're using honey jars and butterflies as metaphors for lady parts. that's like a 11th grade poetry workshop no-no. Hetfield says "Iced Hon-AAAYYYYYYYY-ah". this is the man who wrote "Battery". Trapped Under Iced Honey. AHHHHHHHH.
6. CHEAT ON ME - beginning sounds like wannabe King Crimson something-or-other. why couldn't Reed collaborate with them? at least Robert Fripp still knows what is and isn't complete horseshit. 11 COCK MINUTES. don't you steal "Cock Minutes" from me. i mean it. "Why do you cheat on me?. why do I cheat on me?" that's some next level pop-psychology 40 years ago. Reed just said "C'mon!". and now Hetfield is asking 'Why do i Cheat on Me-ah?". i'd like to think they're singing this to each other. so yeah, nearly twelve minutes of grown men asking why they cheat on each other. so Metallica is just a jam band now? and Reed is a passionless slam poet? and i'm going to kill myself while this album plays just so they can get sued for it? i'm cheating on life with a noose. DEEP.
7. FRUSTRATION - opening actually sounds okay. then come the fucking Creed riffs. "Frustraion-ion-ion-ion". "i cry icicles"... eeeeegh. "you and your prickless lover" is okay. song is fucking HILARIOUS at the 2:40 mark and beyond. "SPERMLESS LIKE A GIRL". i'd actually like to hear Brainbombs cover this song... mostly because i'd rather be listening to the Brainbombs right now. this song might be passable if it was just the creepy parts and the spermprick parts and none of this "My Lexicon of Hate" bullshit. great, now they're trying to be the Doors. and here comes the Black Album table scraps (more like WACK album durhuruhururhuurhur). "MARRY ME MARRY ME MARRY ME SPERMLESS LIKE A GIRL" ("spermless like a girl" being his pet name for Lars). i'm convinced Metallica just goes with whatever will make Robert Trulio do his ape-walk deal.
8. LITTLE DOG - more Swans/Angels of Light biting-off going on here. "Little dog with a tiny dick/ little dog will make you sick". "as long as you lift that little doggy face to here cold-hearted pussy". he actually said something like that. this shit is just so hysterical. i get it... the dogs are humans...humans are dogs. 8 minutes of them performing oral sex on each other. cause they're like.. the saaaame, man. i wish Valerie Solanis was still alive. i'd love to know what she thinks of all this... cause she thinks with bullets. "I AM AN UP WHILE YOU'RE A DOWN". is that supposed to be funny? Bestiality as an Allegory for Interpersonal Relationships... and this album still eats balls.
9. DRAGON - "HALUGH-SI-NAAAAAA-TION". okay, this is nothing. thought-deficient empty calorie light beer white cheese doodle nothing. Metal Machine Music was nothing, but it was nothing ON purpose.... WITH purpose. the point was pointlessness, here there isn't even that. THIS SONG IS ALSO 11 MINUTES. the part about biting nipples was kinda cool i guess... but you have to wade through all this mind-crippling flowery bullshit to get to the sadistic goodies Reed once let lead the way. i also think Ulrich has been playing the same beat for the whole record. seriously, one of the most uninspired drum performances ever. Lou Reed is talking about smelling arm pits. take that image to bed with you tonight... LAAAAAAAAAADIES.
10. JUNIOR DAD - bahaha best title ever. sounds like a movie Macauly Culkin and Woody Harelson would've done in 1993, directed by Amy Heckerling, with music by Katrina and the Waves. 19 MINUTES AND 29 SECONDS. that's not even the length of the latest Wormrot LP. i don't even know what's real anymore. i've listened to this whole damn thing. it sounds like some other song... maybe "UNFORGIVEN 5: THE SEARCH FOR GHOST DAD'S GOLD VS. PREDATOR THE QUEST FOR PEACE". sounds like an octogenarian pedophile with syphilitic scabs pocking his lymph nodes doing improvised karaoke over "Hero of the Day". now he talking about teaching a monkey to stop being blind. this is fucking crazy. i could love this if stripped away the camp-fire-under-the-liberal-arts-quad bunk and just did absurd shit like that. this shit is still going. now they're trying to be Godspeed! You Black Emperor. it's been cooler if they tried to be 1984. i mean, like whatever you want... but don't try and incorporate your recent musical interests into your sound when it doesn't fucking work at all. i like Janelle Monae, but i'm not gonna insist the Communion incorporate Android RnB elements into our sound (...except i am, but i digress). hollllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllly shiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiit PLAY SOMETHING PLEASE THANK YOU. it's only a twenty minute song, guys. this song would only have been 19 seconds long without all this lame spacey atmospheric nothingness. but i'm sure boneheads will love it cause it's got the Metallica name on it, but if you played them any real ambient band they'd cal you a faggot while extending their long-sleeved-flame-job arms at you and flipping you off with a ring on their middle finger that is in the shape of a hand giving you the finger cause they're DOUBLE TUFF.
so yeah... that was that. worst thing i've heard all year. my brain is trying to escape through an invisible hole just above my left eye. spermless dog prostitutes are cutting off Boris Karloff's tits so prickless monkeys won't cheat on them with tables. done.
SEVERIN FILMS RELEASES FIRST TRAILER FOR HORROR ANTHOLOGY CO-PRODUCTION 'THE THEATRE BIZARRE' IN ANTICIPATION OF WORLD PREMIERE IN MONTREAL
Modern tribute to Grand Guignol features cult film icon Udo Kier and films by directors Douglas Buck, Buddy Giovinazzo, David Gregory, Karim Hussain, Jeremy Kasten Tom Savini & Richard Stanley
Los Angeles, CA --- Thursday July 7, 2011 --- Severin Films today announced the release of the first official theatrical trailer for the eagerly anticipated feature THE THEATRE BIZARRE - a modern horror omnibus inspired by the over-the-top shocks of Paris' early 20th century 'Theatre du Grand Guignol' - which will have its Gala World Premiere at the 2011 Fantasia Film Festival; in Montreal on July 16th at 9:20pm. THE THEATRE BIZARRE features horror icon and Hollywood character staple Udo Kier (BLOOD FOR DRACULA, SUSPIRIA, MELANCHOLIA) as the master of ceremonies in the framing story, set in a sinister old theatre, of six films by "horror's most adventurous minds," (Fangoria). THE THEATRE BIZARRE will also have its European Premiere at London's acclaimed FrightFest on opening night, August 25th.
The project's seven filmmakers, who were granted total creative freedom, have all made at least one modestly budgeted and internationally acclaimed movie in the horror field. The films of Douglas Buck include the 2003 Sitges sensation FAMILY PORTRAITS: A TRILOGY OF AMERICA and the recent remake of Brian DePalma's SISTERS. Buddy Giovinazzo exploded onto the genre scene with 1986's COMBAT SHOCK and went on to write and direct such features as the Tim Roth-starrer NO WAY HOME and last year's acclaimed ensemble drama LIFE IS HOT IN CRACKTOWN (adapted from his novel), as well as numerous works for German television. UK native David Gregory is the industry's foremost documentarian of horror films on DVD, and his 2008 feature debut PLAGUE TOWN was hailed as "a nightmare captured on celluloid" by Fangoria. In addition to writing and directing SUBCONSCIOUS CRUELTY and LA BELLE BÊTE, Karim Hussain is also an accomplished cinematographer whose features include HOBO WITH A SHOTGUN. Arguably horror's best-known special efects wizard for his landmark work on classics that include the original FRIDAY THE 13TH and DAWN OF THE DEAD - as well as a popular actor in such films as FROM DUSK TIL DAWN and MACHETE - Tom Savini directed the 1990 remake of NIGHT OF THE LIVING DEAD. South African born Richard Stanley is one of the genre's most distinctive talents, whose visionary cult classics include HARDWARE and DUST DEVIL. THE THEATRE BIZARRE marks his triumphant return to horror for the first time in 18 years. Directing Kier in the film's framing segments, writer/director Jeremy Kasten was the filmmaker behind the very Guignol-esque remake of Herschel Gordon Lewis' THE WIZARD OF GORE.
"The idea for THE THEATRE BIZARRE was hatched when I was editing a DVD featurette for the 1990 art-house portmanteau ARIA, directed by Jean Luc Godard, Robert Altman, Nicolas Roeg, Ken Russell and others," explains producer and Severin Films CEO David Gregory. "Horror anthologies have a rich history dating back to the silent era, and include classics like DEAD OF NIGHT, BLACK SABBATH, SPIRITS OF THE DEAD, THE HOUSE THAT DRIPPED BLOOD, CREEPSHOW and more. I felt that the notion of giving filmmakers a general concept, the same budget and complete creative control would lend itself perfectly to a modern horror film. In my opinion, there is no other genre where unleashing the unrestrained creative ideas of filmmakers could redeem such an outlandish array of stories and images."
Severin Films, founded in 2006 with offices in Los Angeles and London, has been called "well on its way to becoming the greatest indie label of all time" by BlogCritics.org. Their DVD and Blu-ray releases include Alejandro Jodorowsky's SANTA SANGRE, Jess Franco's MACUMBA SEXUAL and BLOODY MOON, Walerian Borowczyk's IMMORAL WOMEN, the unrated Director's Cut of Just Jaeckin's GWENDOLINE, Richard Stanley's restored HARDWARE, Enzo Castellari's original INGLORIOUS BASTARDS, Oscar®-nominee Patrice Leconte's THE HAIRDRESSER'S HUSBAND, Don Sharp's PSYCHOMANIA and Roman Polanski's WHAT? Severin's upcoming HD restorations include Richard Rush's Academy Award® Nominated THE STUNT MAN, Ted Post's THE BABY, Eugenio Martín's HORROR EXPRESS and Peter Duffell's THE HOUSE THAT DRIPPED BLOOD. The company's theatrical releases include BIRDEMIC: SHOCK AND TERROR, and DEVOLVED.
In a case study in the Journal of the American Academy of Dermatology, Craft describes six cocaine users recently plagued by the dark purple patches of dying flesh. And while they happened to hail from the country's coastlines, the problem is national.
But drug cartels in South America increasingly prefer to use levamisole, a veterinary antibiotic normally used to deworm cattle, sheep, and pigs. It's not clear why dealers don't just use baking soda all the time, although studies in rats suggest that levamisole might tingle brain receptors in the same way cocaine does. If that's the case, adding it to the supply might be a way to enhance the effects of cocaine on the cheap.
"The first film dealt with a mad doctor who sews together three kidnapped people in order to produce the 'human centipede'of the title. Although the concept of the film was undoubtedly tasteless and disgusting it was a relatively traditional and conventional horror film and the Board concluded that it was not in breach of our Guidelines at '18'. This new work, The Human Centipede II (Full Sequence), tells the story of a man who becomes sexually obsessed with a DVD recording of the first film and who imagines putting the 'centipede' idea into practice. Unlike the first film, the sequel presents graphic images of sexual violence, forced defecation, and mutilation, and the viewer is invited to witness events from the perspective of the protagonist. Whereas in the first film the 'centipede' idea is presented as a revolting medical experiment, with the focus on whether the victims will be able to escape, this sequel presents the 'centipede' idea as the object of the protagonist's depraved sexual fantasy.
The principal focus of The Human Centipede II (Full Sequence) is the sexual arousal of the central character at both the idea and the spectacle of the total degradation, humiliation, mutilation, torture, and murder of his naked victims. Examples of this include a scene early in the film in which he masturbates whilst he watches a DVD of the original Human Centipede film, with sandpaper wrapped around his penis, and a sequence later in the film in which he becomes aroused at the sight of the members of the 'centipede' being forced to defecate into one another's mouths, culminating in sight of the man wrapping barbed wire around his penis and raping the woman at the rear of the 'centipede'. There is little attempt to portray any of the victims in the film as anything other than objects to be brutalised, degraded and mutilated for the amusement and arousal of the central character, as well as for the pleasure of the audience. There is a strong focus throughout on the link between sexual arousal and sexual violence and a clear association between pain, perversity and sexual pleasure. It is the Board's conclusion that the explicit presentation of the central character's obsessive sexually violent fantasies is in breach of its Classification Guidelines and poses a real, as opposed to a fanciful, risk that harm is likely to be caused to potential viewers.
David Cooke, Director of the BBFC said: "It is the Board's carefully considered view that to issue a certificate to this work, even if confined to adults, would be inconsistent with the Board's Guidelines, would risk potential harm within the terms of the VRA, and would be unacceptable to the public.
"The Board also seeks to avoid classifying material that may be in breach of the Obscene Publications Acts 1959 and 1964 (OPA) or any other relevant legislation. The OPA prohibits the publication of works that have a tendency to deprave or corrupt a significant proportion of those likely to see them. In order to avoid classifying potentially obscene material, the Board engages in regular discussions with the relevant enforcement agencies, including the CPS, the police, and the Ministry of Justice. It is the Board's view that there is a genuine risk that this video work, The Human Centipede II (Full Sequence), may be considered obscene within the terms of the OPA, for the reasons given above."
X-MEN: FIRST CLASS - 8.5 (hovering around 9)/10 
as commendable as Bryan Singer's X-Films were, Matthew Vaughn revealed their flaws through his own work; the main being Singer's unwillingness to embrace the more colorful aspects of the X-Men Mythos. that example was followed through the dreadful Last Stand and Origins: Wolverine, where the seemingly innumerable characters that popped up every five seconds were clad in non-descript denim 'n leather ensembles that, while taking things a bit more "seriously", ultimately had the effect of forgetfulness, as characters no longer stood out from one another. that isn't the case with First Class. here the classic blue and yellow suits are put to use, and yes, they look better than black leather onesies. Vaughn seems to also have some working knowledge of many different eras of the books, and moreso than any previous film makers in the franchise, brings them to life with taste, tact, and joy.
here is Neil Hamburger's article that was pulled from Vice Magazine. given the average Vice subscriber, you can understand why;
Here's the official synopsis:
Something is missing in Tom's life. His marriage has lost its spark, his job is suffocating him, and his childhood best friend Dan still clings to the past. Every day he goes through the motions, becoming increasingly detached from those around him. Dan has the solution... something Tom's got to see to believe... tonight. What Dan shows him leaves Tom unsettled, flooding his mind with disturbing images, and binding the two friends together with its ugly secret.
You can find out more about the movie on its official site.
Gut - trailer from Gut Productions, LLC on Vimeo.
